Paul Reiser talks about his new film, “The Problem with People”, deciding to be a comic, comedy and heartbreak being from the same well, His love of Peter Faulk, Jack Lemon, and Alan Arkin, fathers, getting out of the house, building a music room just in case Billy Joel dropped by, Writing “What A Fool Believes” with and about Michael McDonnald, “Diner” “Mad About You.” “The Thing About My Folks”, acting and writing seriously, his sons, and realizing you can’t write a standup act but just holding a pad and thinking to yourself…”What’s funny?”

David Kessler discusses grief and loss and how it’s not that bad and why Jay is reluctant to grieve. We talk about accepting the end of our lives, how children deal with death, and why we are triggered to feel loss in the strangest moments. We talk about being honest with loved ones and not overreacting, and the value of using the ticking clock of death to live better today. We take listener questions and get ready for the best end we can create for ourselves.

Father and son actors, Lawrence & David Pressman talk about their journeys to becoming actors, what it’s like to grow up in Kentucky vs Los Angeles, knowing acting was your calling from a young age, the problem with drinking, acting out when you are young, having your dad bribe you to quit showbiz, and getting blown up in Independence Day and getting yelled at by Elia Kazan.

Liza talks about her podcast, “Significant Others” and what makes someone devote themselves to making someone else famous, and how no one does it alone, and how empathic she and her husband, Conan, are to the world, and how the trees just might be killing us.

Entertainment reporter Richard Rushfield discusses how silicon valley and stockholders tried to make sure bets and wound up destroying the infrastructure of Hollywood. We also talk about comedy, movies, being a pessimist, and the notion that storytelling will continue no matter what. 

Comedian Sierra Katow talks about her new special, being so insecure she conquers everything she sets out to do, Asian comics, hitting the comedy clubs with your dad waiting in the car, and throwing your Harvard Education away on jokes, when it’s right to start a family, and hustling to prove your not a typical type-A person.

Husein and I talk about shared traditions, taking faith seriously but being open and curious to all cultures and not eating at Ramadan, writing a pilot together about South Asians, Canada’s Thanksgiving, India’s holidays, his father not trusting his career until Husein showed up in a suit and my father punching up the jokes my dates told.

The Great Laraine Newman talks about the growing up in Beverly Hills, founding the Groundlings, being part of the pioneering cast of SNL, raising kids who work in show business and still have integrity, fighting addictions, avoiding auditions, voice work, writing an audible memoir “May You Live in Interesting Times”, and what it’s like to make a movie that’s powered mostly by cocaine.

Judd talk about Jay helping Judd’s career, Jay relentless hounding Judd to do the podcast, The Mike Douglas Show, how to spot talent, Totie Fields, The Cable Guy, stand-up now, being hungry, why it’s hard to make movies, too many apps, hoarding memorabilia, The 40-Year-Old Virgin, what it takes to be a producer, Walk Hard, and demanding a souvenir show mug. 

Billy and I discuss being writing partners in Jr High, why MAGA loves to be afraid, why Kamala has a shot, why Biden didn’t have a shot, how to make the campaign work, writing for candidates, why we should fight to keep our democracy, how America agrees with Democrats even though some of them don’t know it, dirty tricks from the bad guys, and Lynn Swann.

Matt and I talk about the legacy of The Simpsons, what it means to go from super fan to icon, always knowing he wanted to draw cartoons, having kid are better than making great art, how music makes The Simpsons great, how Jay could come back to work if he came back crawling on his knees, and how Jay agreed to crawl.

Actor Jade PettyJohn who was 14 years old when she first worked for Jay on School of Rock talks about her journey becoming an actor at 7 and being an actor at 23. They talk about what was good and bad about working as a child actor and how to make the lives of child actors better.

We talked about: Finding community, doing The Stump, Not doing Chandler on “Friends”, the wonderful and difficult friendship of Matthew Perry, doing theater as a kid, and more!

This is our most gossipy episode ever! Jim and Frank, one of my favorite couples, spill the tea on the icons you want to know most if it were 1983.

Novelist/Environmental Activist, Stephen Markley talked about the coming environmental disaster and other laugh out loud subjects.

On this week’s episode the versatile writer, creator, actor, & comic Larry Wilmore talks about growing up in Pomona, CA and finding comedy and magic, hanging with President Obama. We compare notes on LA, TV, the Dodgers, SNL, Steve Martin, Eddie Murphy, losing a sibling and we challenge each other to do stand-up comedy.

Randy and Jason Sklar can currently be seen in the fourth season of FX’s WHAT WE DO IN THE SHADOWS playing fictional Property Brothers ‘Bran and Toby Daltry’. The Sklars produced, wrote, and starred in THE NOSEBLEEDS, a UFC original series that released this summer on UFC’s Fight Pass.

Conan O’Brien and Jay discuss the neurotic need to constantly make jokes at the peril of personal relationships and true communication. They also talk about their kids and wives putting up with them, their long friendship, podcasting, comedy, growing older in comedy, Conan’s new show “Conan O’Brien Must Go”, and reading commercials.

Jay smothers Weird Al with love and appreciation for Al’s perfection in his parody. We talk about Mad Magazine, Looney Tunes, pizza, travel, doing what you want, the power of an orchestra, the two pulls of being a comic vs a musician, how a true showman can come out of Linwood, and giving up architecture for being a professional goofball/genius.

Tony and Jay meet for the first time. We talk about the depth of his character, Primo, in “The Big Night” and why Jay can’t find that depth in real like.